Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no more have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Origami facile
Kent du Pre has done Origami Crane Necklace such work with Symmetric figures such as stars from which flowers can be folded away. Irregular figures have came out occasionally, but the most extreme form only occurs in Paper Miracle with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course closely related to paper trimming. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent point out of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Faire Un Avion En Papier Tuto Origami.
Origami fleur
Uchiyama is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to provide enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved only by folding.
Fleur origami
Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modelling particularly when foil has been used and one can make sure of the material remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper seems to be Japanese in origin Bateau De Papier was demonstrated by Yoshizawa at a Convention in Liverpool. Another method of moist moulding using paste in the preparation is mentioned by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The retracts tend to be smooth and we are approaching statue rather than Origami.
Bateau en papier
The associated arts are Weaving cloth and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to represent some part of the creature and then brought with each other. The concept may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have made an appearance for folding a monster from a quantity of potager of different sizes.
Comment faire un avion en papier
Inside the most extreme Le Petit Bateau De Papier Chanson mixtures of water and document we are, naturally , in the world of fun which is plainly an open-ended art. DecoratingThe most basic step from your single colour is one side female and one white or plain. A great offer of modern Origami uses this colour difference. The delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of Origami Owl decoration occurs in Japanese papers which are already printed with a design suited to an exclusive model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The cutting out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called
this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and evidently here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its easiest form we might use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. One of the most unusual form of 'display mechanics' that I am knowledgeable about is by Toyoaki Kawai.